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Les Miserables Complete Symphonic Recording
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Les Miserables Complete Symphonic Recording  (Audio CD) 
by Various Artists

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Product Details:
Audio CD Release Date: June 01, 2004
Studio: Red Ink
Composer: Claude-Michel Schoenberg
Conductor: Martin Koch
Orchestra: Philharmonia Pit Orchestra
Number Of Discs: 3
Format: Cast Recording
Average Customer Rating: based on 31 reviews
Track Listing:
Disc: 1
1. Prologue
2. Valjean's Soliloquy (What Have I Done?)
3. At the End of the Day
4. I Dreamed a Dream
5. Lovely Ladies
6. Fantine's Arrest
7. Runaway Cart
8. Who Am I?/The Trial
9. Fantine's Death
10. Confrontation
11. Castle on a Cloud
12. Master of the House
13. Bargain-The Waltz of Treachery
14. Look Down
15. Robbery-Javert's Intervention (Another Brawl)
16. Stars
Disc: 2
1. Eponine's Errand
2. ABC Cafe/Red and Black
3. Do You Hear the People Sing?
4. Rue Plumet-In My Life
5. Heart Full of Love
6. Attack on Rue Plumet
7. One More Day
8. At the Barricade (Upon These Stones)
9. On My Own
10. Building the Barricade
11. Javert's Arrival
12. Little People
13. Little Fall of Rain
14. Night of Anguish
15. First Attack
16. Drink With Me
17. Bring Him Home
18. Dawn of Anguish
19. Second Attack (Death of Gavrobe)
20. Final Battle
21. Sewers - Dog Eats Dog
22. Javert's Suicide
23. Turning
Disc: 3
1. Empty Chairs at Empty Tables
2. Every Day (Marius and Cosette)
3. Valjean's Confession
4. Wedding Chorale/Beggars at the Feast
5. Epilogue (Finale)
Customer Reviews:
Average Customer Review: 4.5 ( 31 customer reviews )
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Most Helpful Customer Reviews

39 of 44 found the following review helpful:

5The GREATEST MUSICAL of ALL TIME!Aug 02, 2007
By Gregory E. Foster "operabruin"
I first became acquainted with this wonderful work before it was known of here in the USA through a copy I had ordered from England. Then, with the US Broadway production, the OBC release was added to my collection. Then, this one, and later, the dream cast version, and then the 10th anniversary edition. So, I have listened to a "few" versions of the work. I love them all. I love this one, perhaps, the most. I am heavily into opera and classical music, so I guess it is sort of natural that I would be drawn to the presentation of this great work with a complete orchestra behind it.

I feel that it is necessary, however, to own three versions of this wonderful musical play. First, the Original, London production. Second, the Original Broadway Edition, and lastly, This, the Symphonic Edition. They all three have their place, and, indeed, are all different, each begging for space on your shelves for very good reason.

If you are a purist, and can only have one, then, it must be the Original London Cast...period, end of discussion. But, if you are like me, and require different interpretations, etc., you will simply fall in love with all three of these recommended recordings.

When I state above that this is the greatest musical piece of theater ever, I certainly do, truly, believe this. Of all the dozens of plays I have seen on Broadway, of the hundreds I have listened to on LP and disc, watched on tape, LaserDics, and DVD, etc., NOTHING has EVER reached the Stratospheric Heights of this work. The only possible exception would be "Man of LaMancha" with Alan Jones, waaaay back, when I was a young man. It was my first Broadway Show, and this may be why I hold it so highly in my heart. (Everything gets held up to it for comparison, and most do not make the cut!)

Again, I urge you to add this recording to your collection...you will love it dearly. ~operabruin

17 of 20 found the following review helpful:

3A mixed bagFeb 20, 2009
By M. Rebus
The most obvious reason to get the Symphonic Recording is to have the entire show on CD. This album is really for the most devoted Les Mis junkies. I particularly like Javert's Intervention, which acts as an introduction to my favorite song, Stars. Aside from the completeness of the album, there are two other highlights for me. One is Anthony Warlow, who is the best singer to play Enjolras. Maguire's Enjolras is also stirring, but Warlow is more talented. The second highlight is the Orchestra. It probably has the best orchestra out of all four recordings, although the tenth anniversary concert comes close.

Now onto the rest of the cast. This is Philip Quast's first recording, and he is superior to Terrence Mann and Roger Allam. He would only get better on the Tenth Anniversary Concert. Michael Ball gives another respectable performance as Marius. Then why am I only giving this three stars? Aside from the cast members just mentioned, the rest of the cast is inferior to their counterparts on the other three albums. Gary Morris isn't a very good Jean Valjean, and Kaho Shimada is the worst Eponine. As others have pointed out, she is not singing in her native language so her performance is nothing special. She memorized her lines phonetically. I would like to hear her sing in Japanese. But Gay Soper as Madam Thenardier is truly terrible. I can't stand her. Her one line in Javert's intervention makes me cringe. Thenardier over does it sometimes but he's more tolerable than his wife. I don't particularly care for Debbie Byrne on this album, she sounds like she has a frog in her throat at times. Tracy Shayne's Cosette is OK, but nothing compared to Judy Khun or Rebecca Caine.

Overall I consider this album to be a good supplement to the Tenth Anniversary Concert, to fill in the gaps so to speak. This is not the quintessential Les Miserables album by any means though.

7 of 7 found the following review helpful:

5My favorite album in my entire CD collection!Oct 25, 2008
By burghtenor "Rev. Mr. Richard R. Andre, C. S. P."
THE SHOW:
In my opinion, Les Misérables is the best musical ever written. It is surprisingly faithful to its source, the excellent epic novel by Victor Hugo. True, many plot episodes have been dropped and some characters have been combined, but the only major change is that the character of Eponine has been ennobled. The main storyline is about Jean Valjean, a man embittered by an overzealous prison system but redeemed by the kindness of a bishop. He vows to live the remainder of his life as an upright man, which leads him to be a successful businessman and mayor, the guardian of an orphan, and eventually a fighter in the doomed Paris revolt of 1832. However, there are a multitude of characters who interact with Valjean and each other. The plot is complex, and the show runs about 3 hours, longer than the typical Broadway musical. Large portions of the show are serious, but it has its humorous moments, and other parts (including the finale) are extremely uplifting.

THE RECORDING:
This three-CD set is an excellent recording of the show -- this is one of my most prized possessions!

First of all, the use of a full symphony orchestra lends an extra dramatic flair apparent from the first chord onward.

Secondly, I recommend this recording because of its completeness. To me, many of the most inspiring parts of the score are where Valjean shows his Christ-like compassion: championing Fantine, claiming Cosette, freeing Javert, and pleading for Marius. None of these are included on the Broadway recording, nor are the bittersweet musical sequences following several of the deaths in the second act.

Third of all, the recording cast is drawn from members of several English-speaking productions, plus one member from a non-English-speaking production. With only one exception, these singing actors do a fine job. I will comment only on the three most controversial casting choices:

People familiar with recordings featuring Colm Wilkinson as Valjean find difficulty adjusting to Gary Morris, who plays the role very differently than Wilkinson. He has a voice that's rougher, but I think it has more power and a wider range of emotion that more than makes up for the roughness: compare the sense of anguish he brings to such numbers as "What Have I Done?," "Who Am I?," and "Bring Him Home." I think that Valjean, a man who has endured so much pain and suffering in his life, would be this emotional, even if he has dedicated his life to God. However, I understand how other people prefer Wilkinson's more gentlemanly portrayal of Valjean.

Kaho Shimada, from the Japanese cast, did not speak English at the time of this recording. Her accent is no stranger than some popular country singers, and I doubt anyone who did not know she didn't speak English would realize her unfamiliarity with the language. Ms. Shimada has a "pop"-style voice, but it works well for the downtrodden Eponine.

I agree with other reviewers who dislike Tracy Shayne in the part of Cosette. The character is not one of the better parts written by either Hugo or Boublil, so I can forgive Ms. Shayne for her lack of acting the part to its fullest, but I cannot pardon her weak and somewhat fluttery voice. Surely someone better could have been found for this landmark recording. Because the role of Cosette is secondary, this flaw is not a deal-breaker.

The rest of the cast and chorus are superb -- great acting and strong voices. Special accolades for Philip Quast as Javert and Anthony Warlowe as Enjolras.

To summarize: if money is tight, skip a few meals to cover the extra cost of this recording. It's worth it!

5 of 5 found the following review helpful:

5No other more complete or amazing versionFeb 04, 2009
By Melody
The Complete Symphonic Recording of Les Miserables is simply the best version of the musical you can get. It contains many songs that are not on any of the other albums -- yes, including the concert album -- not to mention extended versions of the songs that include the instrumental parts of the musical. Nothing can quite move you more than hearing that oboe solo during "The Sewers" where the barricade is panned around to show Enjolras splayed across the flag. Breathtaking!

Gary Morris is an acceptable replacement for Colm Wilkinson. He truly shines in many of the songs, particularly "Bring Him Home". Philip Quast is arguably the best Javert there is. He leaves such a chilly afterfeeling in "Javert's Suicide" that the listener is simply left in awe. Michael Ball, as always, IS Marius and will always be him. Barry James, some will notice, plays Thenardier on a much more sinister level than Alun Armstrong; but he and Gay Soper are great as the wicked couple. Last but not least, Anthony Warlow is no short than AMAZING as Enjolras; the part is simply perfect for him as Enjolras requires a very powerful voice and Warlow delivers.

It is worth noting the ones who aren't quite up to snuff with some other versions out there. Kaho Shimada, who played Eponine, seems to be a poor choice, indeed. She sings much too soft for Eponine and "On My Own" is definitely lacking emotion and power in her rendition. Similarly, Debra Byrne, compared to greats like Patti LuPone and Ruthie Henshall, falls very short in "I Dreamed a Dream". She is much too operatic. Tracy Shayne, as Cosette, lacks the graceful, "lark"-like voice most identify with Cosette, and is much too modern a choice, for my tastes.

Overall, however, this is the most complete version of an amazing musical that you will find and I highly recommend you buy it! Many of the songs are updated. "Little People" is MUCH shorter, like it should be, while "Stars" is now a wonderful showstopper as the music builds up in the end. The only other way one could collect all the songs is by purchasing every Les Miserable recording out there and compiling them all onto one CD. The Complete Symphonic Recording does that for you.

10 of 12 found the following review helpful:

5Awesome Tribute to the Greatest Musical of All TimeDec 24, 2005
By Muscial Man "Joe"
I love this recording of my all-time favorite musical. The orchestra really makes this recording soar, as I saw the show on tour with a smaller one. The entire recording, for the most part, sounds terrific. Gary Morris is not my favorite Valjean, but he makes "Bring Him Home" his own in a wonderful way. Philip Quast is unbeatable as Javert, as are Michael Ball and Anthony Warlow in their roles as Marius and Enjorlas (Michael Ball is so my hero!!!). My only complaint with this recording is the version of "A Little Fall of Rain". Eponine's voice, which is awesome throughout the whole recording, is AWFUL during this song, and it really ruins the song. Other than that, a wonderful recording!

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