| Disc: 1 | | | 1. | Symphony No. 1 In D Minor, Op.13: I. Grave - Allegro ma non troppo | | 2. | Symphony No. 1 In D Minor, Op.13: II. Allegro animato | | 3. | Symphony No. 1 In D Minor, Op.13: III. Larghetto | | 4. | Symphony No. 1 In D Minor, Op.13: IV. Allegro con fuoco | | 5. | Symphonic Dances, Op. 45: I. Non allegro | | 6. | Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) | | 7. | Symphonic Dances, Op. 45: III. Lento assai - Allegro vivace | | | Disc: 2 | | | 1. | Symphony No. 2 in E minor, Op.27: I. Largo - Allegro moderato | | 2. | Symphony No. 2 in E minor, Op.27: II. Allegro molto | | 3. | Symphony No. 2 in E minor, Op.27: III. Adagio | | 4. | Symphony No. 2 in E minor, Op.27: IV. Allegro vivace | | 5. | The Isle of the Dead, Op.29 | | | Disc: 3 | | | 1. | Symphony No.3 In A Minor, Op.44: I. Lento - Allegro Moderato | | 2. | Symphony No.3 In A Minor, Op.44: II. Adagio ma non troppo - Allegro vivace | | 3. | Symphony No.3 In A Minor, Op.44: III. Allegro | | 4. | The Bells, Op.35: I. Allegro ma non tanto | | 5. | The Bells, Op.35: II. Lento | | 6. | The Bells, Op.35: III. Presto | | 7. | The Bells, Op.35: IV. Lento Lugubre | |
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68 of 69 found the following review helpful:
Focused and Clean Playing coupled with Russian conductingDec 11, 2000
By Trevor Gillespie
"sol_man"
This particular collection of Rachmaninov's symphonies is my personal favorite. In particular, the 2nd symphony stands out as being not only the highlight of the set but my favorite performance to date. Andre Previn's recording of the 2nd is a good one as well, but when you compare the playing of the Concertgebouw with the orchestra on Previn's recording, you can immediately tell there is a different level of ability in the orchestras. There is a strong cohesiveness in the playing that is not evident in the Previn performance. Also, Ashkenazy is more convincing in how he builds the Adagio (3rd movement). The first and third symphonies are also very well played and are great performances. Although, neither have attained the status of popularity as that of the second, both are important pieces of music in the Rachmaninov repetoire. Ashkenazy brings as much attention to detail and feeling on these two symphonies as he does on Symphony No. 2. The 'filler' pieces actually are some of the true highlights of the set. For example, you'll be hard pressed to find a better performance of "Isle of the Dead". First of all, it's not an often-recorded work, and second, Ashkenazy has a full sense of how this piece is supposed to work. Filled with darkness, the listener is sure to hear what Rachmaninov was trying to convey. The playing again is crisp, detailed, and full (due to the excellent recording of London/Decca)
35 of 35 found the following review helpful:
Definitive Recordings of Rachmaniov's SymphoniesMay 09, 2001
By John Kwok Vladimir Ashkenazy's love of Rachmaninov's music is evident not only on the keyboard, but also at the podium. His conducting of Rachmaninov's music is absolutely first rate, with an ample mix of passion and precision. I am certain that these fine recordings undoubtedly helped raise his stature as a noteworthy conductor. Under his direction, Bernard Haitink's Concertgebouw Orchestra gives distinguished, technically perfect performances steeped in emotion. Their level of playing is superior to the Berlin Philharmonic Orchestra's under Lorin Maazel's baton (Maazel and the BPO recorded a set of Rachmaninov's symphonies for Deutsche Grammophon around the time of Ashkenazy's recordings.). The best performance of Ashkenazy's Rachmaninov cycle has to be that of the Second Symphony, but the others, especially those of the tone poems, are almost as good too. Of course, Decca's sound engineers did a wonderful job capturing the Concertgebouw's (the orchestra's hall, that is) warm acoustics. If these aren't the definitive recordings of Rachmaniov's symphonies, then they ought to be.
29 of 30 found the following review helpful:
"Rocky" Rules!Jul 03, 1999
Three cd's, affordable price, quality recordings and most importantly beautiful music. All of the discs are worth your time but the best is the second one.The Isle of the Dead is entrancing. Its dark, foreboding theme builds and crashes time and time again. The second symphony can leave me in tears. The 3rd movement to me is what it sounds like to fall in love. A note played near the end of the piece breaks my heart everytime I hear it. The 4th movement ends with such an explosion that I sometimes laugh due to being overwhelmed by the pounding sounds of triumph!This is very powerful music. If you like lush orchestral works I can't think of a better set to own.
17 of 17 found the following review helpful:
Ashkenazy + Rachmaninov = LoveNov 06, 2001
By Deborah M. Lisle Wow. I have always loved Rachmaninov, and Ashkenazy has never disappointed with his interpretations, so I was willing to give him a shot as a conductor. I was not very familiar with Rachamninov's symphonic works before I bought this set, but my love for him has only increased as I see his abilities as a symphonist. The second symphony is the most easily understood, and is one of the most beautiful pieces written in the twentieth century. For those who still consider Rachmaninov purely romantic I encourage them to listen to the First Symphony and the Symphonic Dances. They have elements of Rachmaninov's lyrical romantic style, but possess an edginess and a dark fire that is lacking in any comparable Romantic composer's (Tchaikovsky?) work. His choral symphony is a marvel to listen to, and chilling in its ability to convey action through music (if you buy this set I encourage you to read the words along with the music). The Isle of the Dead is similarly chilling and icily beautiful. Did I mention you can get this whole miraculous set for (dollar amount)? If you are a fan of Rachmaninov you can't pass this set up.
23 of 25 found the following review helpful:
Excellent recordings, all worth getting at any price!!!Apr 01, 2005
By Alexander Z. Damyanovich Different people have different tastes. Without wishing to malign those who don't care as much (or at all) for this set, I'll dare say that this set is an absolute classic. [Why go only for the 2-disc set of just the symphonies instead of getting also Ostróv Mjórtvïkh (The Isle of the Dead), the Symphonic Dances and Kolokóla (The Bells) that come automatically as part of this 3-disc set?]
It was the Ashkenazy recording of Ostróv Mjórtvïkh that introduced me to what has since become my favourite symphonic poem ever (roll over Richard Strauss - this one together with Schönberg's "Pelléas et Mélisande" take the cake!) as well as the Symphonic Dances - and also Kolokóla as well as the 1st & 3rd Symphonies. [Prévin did as much for the 2nd Symphony in my case and his recording is a more than worthy competitor - his and this one are as good as tied for top spot in my honest opinion - get them BOTH if possible!!!!] At all times, these interpretations proved Sjergjéy Vassíljevich Rakhmáñinov as one of the greatest composers of the 1850-1950 period, even if he wasn't the most prolific (my biggest regret is that death stopped him from benefitting us organists with an Organ Concerto meant for Charles Courboin). [He was the type that could only concentrate on one thing at a time - be it composition, piano concertising, or conducting, at all of which he was outstanding; however, when he went into exile after the Russian Revolutions, he found himself mainly working as one of the greatest pianists of all time in order to secure his future and feed his family.] Obviously his mentor Pjótr Iljích Chaykóvskiy was a powerful influence on him; however, Rakhmáñinov never loses his individuality at any point!
Certainly his symphonic output is uniformly high: his 1st Symphony, while not always the most cohesive at times, still deserved a heck of a lot better fate than it received at the hands of Glazunóv - it's extremely inspired and there's no question that it deserves a high place in the repertoire. The 3rd Symphony - and the Symphonic Dances - not only proved that Rakhmáñinov had lost none of his mastery or inspiration in exile; they're both absolute masterpieces in their own right! [As to the 2nd, it would be my 2nd-favourite symphony, period, right behind Chaykóvskiy's 6th (Pathétique). The 3rd movement, if a question of falling in love for some, is for me a point of grieving for a lost love (which is very much still in my life after many years - I still cry bitterly on hearing this and the 1st movement!) and letting gradually go, though with greatest pain...] Finally, Kolokóla: another great masterpiece (the 2nd movement is especially moving and wonderful!).
Most definitely, Ashkenazy does full justice to all of these works. Of course, one can disagree with this or that aspect or instant in this or that work (e.g., I could have wished a slower accelerando in the 2nd movement of the Symphonic Dances from the waltz tempo - that way one misses the otherwise obvious allusion to Chaykóvskiy's "Flowers' Waltz" from Shchjeljkúnchik {Nutcracker}); however, the overall merits of these recordings truly deserve the fullest 5 stars possible - I'd myself go for 6! Go get it in all events!!!!
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